Research pick: Truly moving pictures - "Optimisation of digital media technology for film and television animation post-production considering motion capture technology"

In an era where realism is expectated in animated films, motion capture technology (MCT) has emerged as the secret weapon of modern animation studios. Thanks to its ability to capture and replicate real-life movements, the technology has transformed the creative process, allowing digital characters to leap, stroll, and even blink with a degree of nuance that was not possible in animation just a few years ago.

Once upon a time, animators had to painstakingly create frames by hand to create the illusion of movement. Computers reduced the workload but the subtlety of human movement and facial expression was often lost and an animated character would never look quite as authentic as an actor. Motion capture opened up a more direct route to visual realism and allowed the creatives to tell their stories more evocatively than ever before. Today, digital artists can access libraries of real-world movements and expressions that can be incorporated into their work.

The impact of this technology can be seen in landmark films such as Avatar and The Lord of the Rings, where MCT breathed life into digital creatures and characters, making their movements appear real and adding emotional authenticity to the characters. Indeed, the technology’s ability to replicate dynamic body language and facial expressions with precision allows animations to mimic the subtleties of behaviour, whether that’s a playful wink from the heroine or the flick of a unicorn’s tail.

All that said, the application of motion capture is no longer the reserve of the movie industry. Writing in the International Journal of Information and Communication Technology, Zhuqing Liu of the Jin Zhong Vocational and Technical College in Shanxi, China, explains how this technology is now spilling into the virtual and augmented reality environments. Here it is leading to new approaches in creating immersive and interactive experiences.

Liu explains that motion capture systems are not perfect and still have challenges such as limb and hand detection for the most intricate movements crucial to truly life-like animation. Better sensors and higher-resolution cameras are allowing the initial motion capture to be done more accurately. The ongoing refinement of software, meanwhile, is heading inevitably into the area of advanced algorithms and machine learning which can analyse those captured movements and allow them to be replicated in an animation with intricate and realistic detail.

The technology has obvious applications in film and television, but also in video games, and even medical simulations as well as in research looking at how our bodies move in real life.

Liu, Z. (2024) ‘Optimisation of digital media technology for film and television animation post-production considering motion capture technology’, Int. J. Information and Communication Technology, Vol. 25, No. 8, pp.1–13.